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Children’s Book Editing Services

Children’s book editing is not adult editing with shorter words. The age has to be true, the page turn has to do work, and the book has to survive being read aloud by a tired person at night.

An open manuscript on a desk
A writing desk by a window

The age

What this reader can hold: a picture book is not a middle-grade novel in fewer words.

The turn

What the next page reveals, and why the child wants it.

Aloud

Rhythm, a stumble, a line no one can say on one breath.

The adult

The reader in the room, respected without being winked at over the child’s head.

Pages marked for revision
Edited for the person who will hear it

The brief

We edit for the child who has to sit through it.

Picture books fail when every page explains and no page turns. Chapter books fail when the joke is a reference the reader does not have. Middle grade fails when the child is a smaller adult with a problem an adult would have. We edit against the age you named, and we will tell you if the manuscript is secretly a different age.

Read-aloud is a test, not a courtesy. We mark the line that tangles, the name that repeats because the writer was afraid to use “she,” and the ending that lectures. A children’s book can be about something hard. It still has to be a book a child can want.

  • A pass matched to picture book, chapter book, or middle grade.
  • Notes on turns, rhythm, and where the book talks down.
  • Read-aloud flags, not only grammar.

How the edit runs

Five checks before anyone calls it cute.

  1. Name the age

    Who this is for, in years, and what that reader can follow.

  2. The turns

    For a picture book, what each spread does. For a novel, what each chapter changes.

  3. Aloud

    We read it as it will be heard. The stumble gets marked.

  4. The joke and the fear

    Whether both land for the child, not only for the buyer.

  5. The line

    Word count, repetition, and a moral that should have been a scene.

What we mark

  • A page that explains the picture, or the feeling, again.
  • Vocabulary that shows off for the parent.
  • A turn with nothing on the other side of it.
  • An ending that tells the child what they were supposed to learn.

What we leave

  • A strange word the story needs and can carry.
  • The child’s bad manners, if they are the point.
  • Your name on the cover.
  • Illustration notes that are not the text. Those belong to the artist’s brief.

Before you send the manuscript

Questions authors ask first.

Do you edit young adult here?

Young adult is closer to adult fiction in pace and in what the book is allowed to do. If that is the manuscript, we edit it as fiction and say so. This page is for picture books through middle grade.

Will you cut the word count to a publisher’s number?

We will cut what the age and the form do not need. Hitting an arbitrary count by deleting the best line is not an edit. If a house has a limit, tell us and we will respect it without hollowing the book.

Can you edit rhyme?

Yes, and we will mark a rhyme that forces a wrong word. A perfect rhyme with a dead line is still a dead line. Meter that cannot be read aloud fails, even if it scans on paper.

Who owns the manuscript?

You do. The text and the notes stay yours.

When you are ready

Send the manuscript and the age you believe it is for.

If you are unsure of the age, send it anyway. That uncertainty is often the first note. Call (833) 688-4166 or write [email protected].

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