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We can write it. The book stays in your name.

Fiction, an argued book, a life, or the book a business already needs. The work is interviews, a structure you can argue with, and one chapter in your voice before the manuscript gets long.

  • A chapter before the long draft
  • Your voice, checked on a page
  • Our name stays off the jacket

What the word means here

Ghostwriting is the writing.
It is not a shortcut around the book.

People hire this desk when the book is real and the time is not. A stalled novel. A method that only works while you are in the room. A life told at dinner for twenty years and never put down. The first job is to say which of those you actually have.

We do not take a paragraph and stretch it until it looks like a chapter. You talk. We listen for the point you rush and the one you tell twice. Then a structure you can mark up, and a sample you can hear yourself in.

If the sample sounds like a stranger being impressive, we do not write the other chapters in that voice.

Before you choose a shelf

Tell us the book you mean. We will say if we should write it.

A stalled chapter is enough. So is a talk you can give without notes. The first conversation names the book. It does not sell you one.

Five kinds of manuscript. Five different ways to tell a story.

Find the right approach for the book you want to write.

Written for the work you already do

The company, the office, and the method are not the book.

These three arrive as decks, talks, and a request to sound like the person who built the thing. The book can help the work. It still has to be readable when you are not in the room.

Order of work

The long draft is not where we start.

On a full book the sample comes before the other chapters, not after they have hardened. An ebook with a clear promise moves faster. We will say which clock you are on before anyone invoices a word count.

  1. 01

    Which book you mean

    People say “a book” and mean a novel, a proof of expertise, or a private record. We name it. If two of those are mixed together, the mix is the problem.

  2. 02

    What you already have

    Pages, a deck, voice notes, a scene you can tell without looking down. You do not have to become a writer in order to hire one.

  3. 03

    One chapter you can hear

    Before the length. If it sounds like a house style, or like a person being careful for an audience, we stop and retune.

  4. 04

    The draft, while it can still move

    You read in stretches. A note three chapters later is useful. A note after the book has been made polite by six people usually is not.

  5. 05

    Your name, and the files

    Copyright with you. The manuscript in your hands. Our name stays off the jacket unless you ask for it there.

Bring the real version

Send the pages, the deck, or one scene you can tell without notes.

That is enough to know which desk this is, and whether we should take it.

Call (833) 688-4166 or write [email protected].

What you keep

Three things that do not move to our side of the desk.

The copyright

It is yours, including when the sentences were drafted here. If you want that in writing before a document is opened, say so on the first call.

The voice

We tune to the way you explain a thing when you are not performing. A chapter that could have been written for anyone else goes back.

The quiet

Who wrote it is not a story we tell. If a name would identify you in a sample or a sales deck, it does not go in one.

House rule

A few jobs we will not take, even if the deadline is kind.

  1. 01

    We will not invent a fact, a wound, or a result so a chapter has somewhere to land.

  2. 02

    We will not dress the book in a voice you use for company and drop at the kitchen table.

  3. 03

    We will not turn a pitch into chapters and call the result a book.

  4. 04

    We will not leave after the sample and rename everything that follows “revisions.”

What comes next

When a manuscript exists, other desks can take the next job. Editing is not ghostwriting. A cover is not a draft. We keep them separate so nobody pretends a Word file is a finished book.

Before you send anything

Questions that decide whether this is the right desk.

Will anyone be able to tell?

Not from us. Your name is the name on the book. We do not take a byline, a credit in the acknowledgments, or a story we can repeat about the project.

Do I need pages already?

No. A stalled manuscript is a start. So is a folder of notes and a clear sense of the reader. A slogan with nothing underneath it usually is not, and we would rather say that in the first conversation.

How involved do I have to be?

On the calls that decide the book, yes. Not in the draft every afternoon. We need you when the sample is in the wrong voice, and when a chapter flatters you. Those notes cannot be handed to someone whose job is to make the book safe.

How long does it take?

A short ebook with a clear promise can be a matter of weeks. A novel, a memoir, or a full nonfiction book is often several months, longer when the research or the cutting is the actual work. The quote follows the book. It does not come from a menu of page counts.

Who owns it when it is done?

You do. The files, the copyright, and the decision about whether it is published at all. Publishing is a later desk, and it is not a condition of the writing.

The shelf

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