Home/Editing/Sensitivity Reading

Sensitivity Reading Services for Manuscripts

A sensitivity read looks at a specific lived context in the manuscript: what the scene is saying, where it is inaccurate, and where a reader from that context would be used as a prop. It is not a pass-fail stamp on the whole book.

An open manuscript on a desk
A writing desk by a window

The brief

Which context, which chapters, and what you are worried you got wrong.

The harm

A stereotype doing the work of a character, named in the scene.

Another way

A change that keeps your plot and drops the false note.

The limit

We do not pretend one reader speaks for everyone.

Pages marked for revision
A note from a specific standing

The brief

We read the pages you are unsure you had the right to assume.

The useful version of this work is narrow. You tell us the context: a disability, a faith, a language, a city, a body of experience that is not yours. A reader with standing in that context reads the relevant pages and writes what is inaccurate, what is a cliché doing the work of characterization, and what a person from that life would find unrecognizable.

We separate harm from discomfort. A book is allowed to be harsh. It is not improved by a false detail that makes a group into a device. The note suggests a fix where there is a fix. Where the problem is the premise itself, we say that, and you decide whether the book can survive the change.

  • A written note tied to pages, from a named brief.
  • Inaccuracy distinguished from disagreement.
  • No promise that every reader will be satisfied. That promise would be a lie.

How the read runs

Five steps that keep the job honest.

  1. The brief

    What you need read, and why you suspect it. Vague worry is not a brief.

  2. The right reader

    Standing in the context, not a general editor guessing.

  3. The pages

    The chapters that carry the material, read in the book’s own terms.

  4. The note

    What is wrong, why, and what could stand there instead.

  5. Your decision

    You revise, you keep, or you ask for a conversation. We do not take the byline.

What we mark

  • A detail that is widely believed and untrue.
  • A character whose only trait is the identity.
  • Language used as costume.
  • A trauma included because the plot wanted a shortcut.

What we leave

  • The rest of the edit. This is not a line edit.
  • A demand that the book become nice.
  • Your ownership of the decision.
  • Any claim that one note covers every reader in a group.

Before you send the manuscript

Questions authors ask first.

Do you guarantee the book will not offend anyone?

No. No honest reader can. We can tell you what a knowledgeable reader sees, and where the page is inaccurate or lazy. “Offend no one” is not a standard a book can meet, and we will not sell it.

Can the same person developmentally edit and sensitivity read?

Only if they have both kinds of standing. Usually they should be different people. An editor who is good at structure is not automatically the right reader for a life they have not lived.

What if I need more than one context?

Then it is more than one read. We will not ask one person to speak for every identity that passes through the book.

Who owns the notes?

You do. We do not publish your pages or the reader’s comments.

When you are ready

Send the pages and the specific context.

Name what you think you may have gotten wrong. That is the brief. Call (833) 688-4166 or write [email protected].

The shelf

Writing Dreams Become True Look Like This!

Our team has helped write, publish and market thousands of books over the past decade. Our books are well-written and finished to perfection. Have a look at some of our ghostwriters’ best works and clients’ bestsellers.

Grow with a Global Audience!

Reach out to your readers and earn well!

Why Our Customers Love Us

Hire The Best Ghostwriters At 70% Off! To Author Your Timeless Masterpiece.

Wait! Don’t Miss This 10 Proven Ways to Sell Thousands of Books

Learn how authors sell books online without expensive advertising.